May I Ask for One Final Thing?

最後にひとつだけお願いしてもよろしいでしょうか (Saigo ni Hitotsu dake Onegai shitemo Yoroshii deshou ka)

7.9(1)

OtakuDen

7.3(76,720)

MAL Score

Ranked #2894

Popularity #1555

Action
Comedy
Fantasy
Romance
Villainess

Episodes: 13
Duration: 23 min per ep
Aired: Oct 4, 2025 to Dec 27, 2025
Status: Finished Airing

Synopsis

Scarlet El Vandimion has never been one to let injustice slide—her first instinct has always been to answer wrongdoing with her fists. Yet for the sake of her family’s reputation, she bites back that side of herself and endures the petty cruelty of her fiancé, Second Prince Kyle Von Pallistan. Only the First Prince, Julius, seems to recognize there’s far more to Scarlet than her refined façade suggests, even as his attention toward her begins to deepen.

Everything snaps during a ballroom gathering when Kyle publicly accuses Scarlet of tormenting Terenezza Hopkins, a commoner who has captured his affection, and uses it to dissolve their engagement. Furious that her restraint has earned her nothing, Scarlet slips on her studded gloves and embraces the feared “Mad Dog Princess” once more. With Julius and the werebeast Nanaka at her side, she sets out to return every slight and hypocrisy from the nobility—delivered cleanly, one punch at a time.

Otaku Consensus

May I Ask for One Final Thing? landed as the 2025 villainess season’s cleanest catharsis play: Kazuya Sakamoto’s direction and Hitomi Mieno’s series composition keep the 13-episode run brisk, funny, and built around immediate payoff rather than court-intrigue sprawl. Critics and fans singled out Scarlet as the hook, with reviews repeatedly framing the series as “the villainess got hands” entertainment, while the recurring complaint was that the fights deliver more attitude than top-tier animation polish.

Why You Should Watch

Watch this if you want villainess fantasy without a reincarnation rulebook, palace romance without passive suffering, and revenge comedy that treats etiquette as something to break over a table. It scratches the same itch as My Next Life as a Villainess or Tearmoon Empire in its aristocratic setting, but swaps social maneuvering for blunt-force comeuppance and shoujo-flavored brawling. The appeal is not prestige animation or dense lore; it is timing, attitude, and the pleasure of watching a refined ojou-sama archetype weaponize every rule people expected her to obey. At 13 episodes, it plays like a sharp seasonal “snack anime”: easy to marathon, loud in the right places, and best watched when you want the villainess genre to stop negotiating and start swinging.

Key Characters

S
Scarlet El Vandimion
Scarlet became the show’s defining talking point because she turns the ojou-sama and villainess templates into a physical-comedy bruiser fantasy rather than another reputation-management game.
J
Julius
Julius gives the romance its charge by reading Scarlet’s ferocity as part of her intelligence, not as a scandal to be corrected.
K
Kyle Von Pallistan
Kyle functions as the series’ clearest satire of royal entitlement, the kind of character fans discuss less as a love-interest obstacle and more as a walking request for consequences.
N
Nanaka
Nanaka’s werebeast presence broadens the show beyond ballroom manners, keeping its fantasy-action side visible even when the comedy is driving the scene.

What Makes It Stand Out

1
LIDENFILMS produced the series as a complete 13-episode Fall 2025 run, airing from October 4 to December 27 rather than being split across cours.
2
The show’s genre identity is unusually direct for villainess anime: AniList tags it at Female Protagonist 100%, Revenge 84%, Ojou-sama 80%, Villainess 80%, and Royal Affairs 76%, making its appeal far more confrontational than the usual social-survival setup.
3
Critical discussion repeatedly centered on the action-comedy concept rather than the romance, with reviews using phrases like “THE VILLAINESS GOT HANDS,” “a hilarious can of whup-ass,” and “get our lick back.”
4
Its fantasy setting is not limited to castles and engagements; AniList’s Religion 68%, Magic 68%, Time Manipulation 60%, Anachronism 46%, Slavery 45%, Gods 40%, and Dragons 35% tags point to a broader genre mix underneath the punchline-driven surface.
5
The most consistent production caveat is the fight animation: even highly positive reviews praised the entertainment value while wishing the beatdowns were more fluid or lavishly animated.

Fun Facts & Trivia

Fun fact 1: The anime adapts Nana Ootori’s original story, with Satsuki credited for the original character designs and Eriko Haga handling the anime character designs.
Fun fact 2: Kazuya Sakamoto directed the series, while Hitomi Mieno handled series composition; the production also credits Issei Araki for prop design, fitting a show where physical objects and accessories matter to the action identity.
Fun fact 3: The art-side credits are split across Seiji Oohara and Ken Tsubuki for art design, Hironori Noji for color design, and Tetsuya Kawata for photography direction, showing a clearly compartmentalized visual pipeline at LIDENFILMS.
Fun fact 4: Its audience metrics were solid rather than breakout: MAL lists it at 7.35 from 74,038 votes, with a #2877 rank and #1581 popularity, while AniList records a 73/100 score and 1,649 favourites.
Fun fact 5: Fan reception repeatedly described it as ideal low-pressure viewing, including one Reddit-style assessment calling it a “perfect snack anime” when watched without inflated expectations.