I Want You To Show Me Your Panties With a Disgusted Face

Name: I Want You To Show Me Your Panties With a Disgusted Face
Genre: Ecchi
Released: 2018-07-14

嫌な顔されながらおパンツ見せてもらいたい (Iya na Kao sare nagara Opantsu Misete Moraitai)

5.7(37,568)

MAL Score

Ranked #12529

Popularity #2325

Ecchi

Episodes: 6
Duration: 4 min per ep
Aired: Jul 14, 2018 to Aug 13, 2018
Status: Finished Airing

Synopsis

Panties are usually kept out of sight—tucked beneath layers of clothing and revealed only in rare, trusted moments. That secrecy turns a simple glimpse into something oddly taboo, a “final line” between private skin and the outside world. Asking outright would normally be unthinkable… unless someone is shameless enough to try.

I Want You To Show Me Your Panties With a Disgusted Face centers on that audacious request: a range of girls are directly asked to show their underwear, responding with unmistakable contempt. And yet, with enough pleading, the request might just be granted—if only for a fleeting look.

Otaku Consensus

Otaku Consensus: Saya Fukase turns a one-joke 40-hara concept into a brutally efficient POV ecchi short, with the six-episode format preventing the gimmick from outstaying its welcome. Its fans value the shamelessly narrow focus, archetype rotation, and adaptation discipline; its detractors correctly point to repetition, crude humor, and material so niche that it plays closer to fetish sketch comedy than conventional anime.

Why You Should Watch

Watch this if you want ecchi stripped of romantic detours, tournament logic, or fake emotional stakes. I Want You To Show Me Your Panties With a Disgusted Face is for the viewer who enjoys anime as a delivery system for a very specific visual gag: fast, direct, and aware of its own ridiculousness. It scratches a similar “fetish object as whole format” itch as Miru Tights, but with the confrontational embarrassment pushed much harder; it also shares Interspecies Reviewers’ commitment to making the premise the engine rather than a side dish. The appeal is in the short-form escalation, the rotating character archetypes, and the way the POV staging makes the viewer complicit instead of letting them hide behind a protagonist.

What Makes It Stand Out

1
The series uses a near-total POV structure, reflected by AniList tagging POV at 90%, making the camera position itself one of the show’s defining formal choices rather than a passive framing device.
2
Its six-episode run aired in a tight one-month window from July 14 to August 13, 2018, giving the project the rhythm of a compact web-style fetish anthology rather than a seasonal TV comedy.
3
UWAN Pictures builds the show around rapid archetype cycling, with AniList tags highlighting maids, a nun, a shrine maiden, an idol, and school elements instead of a single ensemble dynamic.
4
hakkaku handled both character design and chief animation direction, creating a production setup where the visual identity and on-model supervision were unusually centralized.
5
The sound side was split between Ryousuke Naya as sound director and Yasuyuki Konno on sound effects, a practical division that matters in a short-form series where pauses, reactions, and awkward silence carry much of the comedy.

Fun Facts & Trivia

Fun fact 1: The anime credits 40-hara as the original creator, which explains why the adaptation feels closer to a focused illustration concept expanded into motion than a traditional manga-to-TV structure.
Fun fact 2: Ikuo Saitou is credited twice, as both scriptwriter and producer, giving him influence over both the written shape of the episodes and the production side of the project.
Fun fact 3: The show’s reception numbers underline its polarizing niche status: it holds a 5.68 MAL score from 37,568 votes, while AniList lists it at 53/100 with 422 favourites.
Fun fact 4: Despite its low MAL rank of #12529, its MAL popularity position of #2325 shows that notoriety and curiosity carried it far beyond the reach of many better-scored short anime.
Fun fact 5: Web commentary around the title frequently frames it as crude, explicit, and “straight gooner material,” while positive reactions tend to praise its unusual directness rather than conventional storytelling.