Reborn as a Vending Machine, I Now Wander the Dungeon Season 3

自動販売機に生まれ変わった俺は迷宮を彷徨う3期 (Jidou Hanbaiki ni Umarekawatta Ore wa Meikyuu wo Samayou 3rd Season)

6.7(7,402)

MAL Score

Ranked #6453

Popularity #4690

Comedy
Fantasy
Isekai
Reincarnation

Episodes: 12
Duration: 23 min per ep
Aired: Apr 1, 2026 to Jun 24, 2026
Status: Finished Airing

Synopsis

In the third season of Reborn as a Vending Machine, I Now Wander the Dungeon, the unique journey continues as an ordinary human is reincarnated in a fantastical world, taking on the form of a vending machine. This unexpected transformation leads to a series of humorous encounters and adventures as the protagonist navigates the intricacies of dungeon life, offering quirky snacks and essential items to adventurers while discovering the challenges and joys of their new existence.

As the story unfolds, the vending machine's interactions with various characters reveal the charm of this unusual setting. With each episode, the blend of comedy and isekai elements deepens, showcasing the protagonist's growth and the relationships formed along the way. Viewers can expect an engaging mix of lighthearted moments and clever scenarios that highlight the absurdity of life in a dungeon.

Otaku Consensus

Season 3 lands as a modest but confident niche sequel, reflected in its 6.71 MAL score and 66/100 AniList rating: Takashi Yamamoto's direction and Tatsuya Takahashi's series composition keep the 12-episode run brisk by favoring compact dungeon problems, food-and-economics gags, and the Boxxo-Lammis routine over inflated stakes. The AXsiZ and Studio Gokumi production works best when it treats the setting as a workplace/travel comedy with found-family texture; the recurring limitation is that the novelty ceiling remains visible, making the scenario loop more charming than essential for viewers outside its very specific lane.

Why You Should Watch

If your ideal isekai is less throne-room lore and more problem-solving through inventory, pricing, and absurd product selection, Season 3 is built for that exact appetite. It scratches the same low-stress logistics itch as Campfire Cooking in Another World and the dungeon-routine side of Delicious in Dungeon, but with a stricter comedy constraint: Boxxo cannot simply swing a sword or monologue his way out. The appeal is watching a tiny cast turn limitations into routines, with Lammis giving the show its human warmth and physical momentum. Viewers who want grim power fantasy, romance escalation, or prestige action cuts should look elsewhere; viewers who like found-family banter, food jokes, medieval commerce, language-barrier friction, and weirdly practical fantasy problem-solving get a clean 12-episode serving.

Key Characters

B
Boxxo(VA: Jun Fukuyama)
Boxxo remains the rare isekai lead whose appeal comes from constraints, with Jun Fukuyama giving personality to a hero defined more by timing, utility, and transactional comedy than conventional heroic body language.
L
Lammis(VA: Kaede Hondo)
Lammis is the series' kinetic anchor, turning the central partnership into a strength-and-heart double act rather than letting the premise function as a solo gimmick.

What Makes It Stand Out

1
The season is a 12-episode AXsiZ and Studio Gokumi co-production, a compact format that suits the series' gag-driven dungeon scenarios better than a longer, lore-heavy structure.
2
AniList's highest-confidence tag cluster puts Dungeon, Skeleton, Henshin, Found Family, Isekai, Anthropomorphism, and Travel all at 79%, which captures how oddly hybrid the sequel is: not just a reincarnation comedy, but a moving party show with monster-fantasy and family-unit texture.
3
Food at 46% and Economics at 53% are unusually important tags for a fantasy comedy, pointing to the show's recurring interest in supply, demand, consumables, and practical problem-solving rather than pure combat escalation.
4
Coastal and Language Barrier both register at 60% on AniList, signaling that the third season's fantasy texture extends beyond standard medieval dungeon corridors into travel complications and communication-based comedy.
5
The anime credits two character designers, Takahiro Sakai and Naoki Yamauchi, alongside art director Ken Naitou and art designers Katsuhisa Takiguchi and Michiru Kodaka, giving the production a notably layered visual-design staff for such an eccentric isekai premise.

Fun Facts & Trivia

Fun fact 1: The source is credited to original story creator Kuma Hiru, while the original character design credit is shared by Hagure Yuuki and Itsuwa Katou.
Fun fact 2: Season 3 aired from April 1, 2026 to June 24, 2026, finishing as a standard one-cour broadcast with 12 episodes.
Fun fact 3: Despite being ranked #6453 on MAL with a 6.71 average from 7,402 votes, the season also had enough niche loyalty to register 176 AniList favourites.
Fun fact 4: Takashi Yamamoto directed the season, with Tatsuya Takahashi handling series composition, a pairing that places the show's structure in the hands of staff specifically credited at the top creative level rather than leaving it as a purely studio-driven continuation.
Fun fact 5: The MAL popularity rank of #4690 shows the third season remained a specialist title rather than a broad isekai breakout, matching its unusually specific tag mix of anthropomorphism, dungeon travel, economics, food, and found family.